Cem Karaca - Beyaz Atlı - Akor

A  E  D  A  Bm

Bm                                D  A Bm
Beyaz atlı şimdi geçti buradan
Bm                               D  A  Bm
Süvarisi can evinden vurulmuş
Bm                                      D A Bm
Çıksın dağlar taşlar gayrı aradan
Bm                            A               E                D               E
Beyaz atın süvarisi yorulmuş yorulmuş yorulmuş yorulmuş
E                                          Bm         D                               A               Bm
Çıksın dağlar taşlar gayrı aradan  beyaz atın süvarisi yorulmuş yorulmuş

Bm                                         D A Bm
Dağlar taşlar bu hasretten eridi
Bm                                 D  A Bm
Yollarımı kara duman bürüdü
Bm                                D  A Bm
Hak yoluna beyaz atlı yürüdü
Bm                                A              E              D             E
Beyaz atlı şimdi geçti buradan buradan buradan buradan
E                                    Bm        D                                    A             Bm
Hak yoluna beyaz atlı yürüdü beyaz atlı şimdi geçti buradan buradan

Bm                             D A Bm
Elleri elime değmez olaydı
Bm                                     D A Bm
Gözleri gözümü görmez olaydı
Bm                                       D A Bm
Bu gönül o gönlü sevmez olaydı
Bm                                A              E              D              E
Beyaz atlı şimdi geçti buradan buradan buradan buradan
E                                            Bm     D                                   A              Bm
Bu gönül o gönlü sevmez olaydı beyaz atlı şimdi geçti buradan buradan

Cem Karaca - Ey Kadı Hazretleri - Akor

Am
Hastayım ah hastayım
Dm
Hastasın ah hastasın
Am
Hastadır ah hastadır
E
Palavra palavradır

Am
Efendilerin şahı
Dm
İyileş bir an önce
Am
Geberteceğim seni
E
İplerim çözülünce

Am
Ey kadı hazretleri
G
Neler söylüyor bakın
F
Bu adamı asın da
E
Sunuhi'yi bırakın

Am
Çok yaşamam ki artık
Dm
Bıraksanız da beni
Am
"nasıl bulurum nasıl
E
Ben senin gibisini"

Am
Rukiye'mi satmadım
Dm
Gönlüm ferah alnım ak
Am
Babam demez doğrarım
E
Ulan namussuz alçak

Am
Ey kadı hazretleri
G
Neler söylüyor bakın
F
Bu adamı asın da
E
Sunuhi'yi bırakın

Am
Ey itibarlı adam
Dm
Vefalı dostum benim
Am
Şu dava bitsin artık
E
"emin eve gidelim"

Am
"gidelim atılacak
Dm
Birazdan iftar topu"
Am
Başlatma iftarından
E
Ulan sürtük orospu

Am
Ey kadı hazretleri
G
Neler söylüyor bakın
F
Bu adamı asın da
E
Sunuhi'yi bırakın

Am
Benden size yüz altın
Dm
Benden eşsiz bir sofra
Am
Benden kürklü bir cübbe
E
Benden de hayır dua

Am
Ya sen ne vereceksin
Dm
"eh buluruz bir şeyler"
Am
Kıtır kıtır kesmeli
E
Sizleri birer birer

Am
Ey kadı hazretleri
G
Neler söylüyor bakın
F
Bu adamı asın da
E
Sunuhi'yi bırakın

吴奇隆 - 烟火

 

词/曲:李子恒

 

Key: D

Capo 2 – Play C

 

       C                               Am7

总是一次又一次不小心 走进悲伤的森林

       F                            Dm7      G

以为已经沈睡的恋情 又在午夜里惊醒

       C                               Am7

总是不知不觉的想起你 惊慌失措的眼睛

       F                            G          C

就像已经远走的背影 依然靠在我怀里

 

Am7             Em      F                 G

孤孤单单一个人 走在俪影双双的街头

Dm7             Am7    F                  G

忘了我在找什么 等待明天还是往回走

 

            C                 Am7           Dm7            Am7

* 总是在失去以后才想再拥有 如果时光能够再倒流

       F                  G                  Am7             G

夜空那幕烟火 映在你的心底 是否触痛尘封的记忆

          C                  Am7           Dm7            Am7

总是在离别以后 才想再回头 不管重新等待多寂寞

       F                   G              F           G    C

夜空那幕烟火 映在我的心底 是无穷无尽的永久

 

Silje Nergaard - The Waltz

 

Key: C

 

Intro: lC lG/B lAm7 lAm7/G lF lFm lC l x2

 

C                  G/B         Am7 Am7/G

Strike up the band let it play

Fmaj7                          Fm  

Love songs to haunt me and I will stay

C               G/B           Am7 Am7/G

But when it comes to a waltz

Fmaj7                        Fm

Both words and music will ring false

 

      Am7                     Fmaj7

For you waltzed in and spun my world

  Am7               Fmaj7  Fm

Around in dizzy dance I swirled

      Am7             C/E        Fmaj7 Dm7 F/G

But suddenly you waltzed away    from  me

 

C                 G/B           Am7 Am7/G

Those violins, they must go

     Fmaj7                Fm

So no careless hand with a bow

       C               G/B              Am7 Am7/G

May play on the strings of my heart

       Fmaj7                     Fm

And make me remember how lovers part

 

       Am7            C       Fmaj7

How you waltzed in and spun my world

  Am7      C      Fmaj7   Fm

Around in dizzy dance I swirled

      Am7             C/E         Fmaj7 Dm7 F/G

But suddenly you waltzed away    from  me

 

C                 G/B          Am7 Am7/G

Strike up the band let it play

        Fmaj7              Fm

Whatever it chooses and I will say

C             G/B            Am7 Am7/G

Play me a waltz if you will

    Fmaj7                 Fm

I'll sit here and listen waiting until

 

      Am7  C          Fmaj7 

My love returns to take my world

       Am7   C           Fmaj7 Fm

And spin it 'round in dizzy  swirl

           Am7                   C/E         Fmaj7

Where girl loves boy and boy loves girl

       Dm7       F/G         C

And feet don't touch the ground

 

李圣杰 - 安静

 

Key: G#

Capo 1 – Play G

 

词/曲:周杰伦

 

Gadd9             Em

只剩下钢琴陪我弹了一天

       Cmaj7           Cm7   D9

睡着的大提琴 安静的旧旧的

Gadd9       B7   Em       Dm7

我想你已表现的非常明白

G7   Cmaj7           F        D9

我懂我也知道 你没有 舍不得

 

Am7                 D          D/C

你说你也会难过 我不相信

Bm7                 Esus4 E

牵着你陪着我 也只是曾经

   Am7                 G/B              

希望他是真的比我还要爱你

    C       A7      Dsus4 D

我才会逼自己离开

 

  Gadd9              D/F#  

* 你要我说多难堪 我根本不想分

Em/F                  Cmaj7

开为什么还要我用微笑来带过

Cm                  Bm7    Em

我没有这种天份 包容你也接受他

Am7          G/B  Cmaj7      D9

不用担心的太多 我会一直好好过

Gadd9              D/F#

你已经远远离开 我也会慢慢走开

Em/F               Cmaj7

为什么我连分开都迁就着你

Cm                  Bm7    Em

我真的没有天份 安静的没这么快

Am7                D9             Gadd9

我会学着放弃你 是因为我太 爱你

Play last * in G#

 

张惠妹 - 坏的好人

 

词:小寒 曲:黄晟峰

 

Key: F#

Capo 6 – Play C

 

Am7sus2                 C/E

红灯黄昏狂奔 不顾舆论

       Cmaj7 G

绝不能 让心爱的他受冷

Am7sus2                 C/E

不问缘分名称 怕会扯分

       Cmaj7 G

被一层 皮肤隔开的灵魂

 

       D9          Am7sus2

我的青春 不否认

    C/F                       C

有些寂寞倒也不缺他一个吻

       D9         Am7sus2

才刚停顿 才转身

    C/F                     G    

已从他怀里撤离流浪 直到清晨

 

   C                           

* 想爱里生存 把分手当真

G                    Am7

拥抱我有过的疤痕

          F         G

谁的心不破损 不曾受困

C

感动能幸存 就足以当真

G                    Am7

生命已剩不多单纯

          F         G       C

我愿意再等等 坏的好人

 

Am7sus2                C/E

琴声铃声人声 能再小声

      Cmaj7   G

心若疼 连问候都太残忍

Am7sus2                 C/E

情深成恨成症 谁笑我笨

       Cmaj7  G

那你们 此生没经历沸腾

 

       D9         Am7sus2

两人陌生 的体温

    C/F                     C

不过在残破里 想凑个完整

       D9         Am7sus2

想要蛮横 逼秒针

    C/F                      G

能快转 但我明白等待 是个过程 *

 

C    G/B        Am7       F         G

呜~ 有过的疤痕 谁的心不破损 不曾受困

C    G/B       Am7        F         G       Am7

呜~ 已不多单纯 我愿意再等等 坏的好人 *

 

Learn to Fingerstyle Any Song – The Chords Haven Way

 

 

Besides how to ‘hear’ chords, the other question that I get alot is this: How do you fingerstyle any song that you hear?

 

Before I go on, here’s a disclaimer: while I can generally play any song that I hear using basic fingerstyle, I am really no expert.

 

But if you are still interested, here are my 5 tips to master fingerstyle playing.

 

#1 Practice your scales until you become ultra-familiar with the notes in each key and their positions on different sections of the fretboard.

 

Rationale: With a heightened sense of the notes in a particular key and more importantly their positions, playing the melody of a song becomes much easier since you can roughly ‘guess’ where the next few notes should be on the fretboard.

 

The 2 most important scales to master: C major and G major.

 

C Major Practice #1:

E|--------------------------------------0--1--3--
B|-----------------------------0--1--3-----------
G|-----------------------0--2--------------------
D|--------------0--2--3--------------------------
A|-----0--2--3----------------------------------- 
E|--3-------------------------------------------- 

E|--3--1--0-------------------------------------- 
B|-----------3--1--0----------------------------- 
G|--------------------2--0----------------------- 
D|--------------------------3--2--0-------------- 
A|-----------------------------------3--2--0----- 
E|--=-----------------------------------------3-- 

 

C Major Practice #2:

E|-----------------5--7--8--7--5----------------- 
B|--------5--6--8-----------------8--6--5-------- 
G|--5--7-----------------------------------7--5-- 
D|----------------------------------------------- 
A|----------------------------------------------- 
E|-----------------------------------------------

 

G Major Practice #1:

E|--------------------------------------0--2--3--
B|-----------------------------0--1--3----------- 
G|-----------------------0--2-------------------- 
D|--------------0--2--4-------------------------- 
A|-----0--2--3----------------------------------- 
E|--3-------------------------------------------- 

E|--3--2--0-------------------------------------- 
B|-----------3--1--0----------------------------- 
G|--------------------2--0----------------------- 
D|--------------------------4--2--0-------------- 
A|-----------------------------------3--2--0----- 
E|--------------------------------------------3-- 

G Major Practice #2:

E|----------------------------------------------- 
B|-----------------5--7--8--7--5----------------- 
G|--------4--5--7-----------------7--5--4-------- 
D|--5--7-----------------------------------7--5-- 
A|----------------------------------------------- 
E|----------------------------------------------- 

 

#2 Learn the alternate fingerings for chords.

 

Rationale: Very often, the melody of a song will traverse different sections of the fretboard. Hence, to play the accompaniment simultaneously, alternative chord fingerings such as the ones with fingerings higher up on the fretboard must be used.

 

Again, the most important chords are those found in the keys of C Major and G Major.

C E|---0---3---7---- B|---1---5---7---- G|---0---5---8---- D|---2---5---9---- A|---3---3---9---- E|---x---x---7----	F E|---1---5--- B|---1---6--- G|---2---5--- D|---3---7--- A|---3---8--- E|---1---x---
Am E|---0---5---5--- B|---1---5---5--- G|---2---5---5--- D|---2---7---x--- A|---0---7---0--- E|---x---5---x---	D E|---2---5--- B|---3---7--- G|---2---7--- D|---0---0--- A|---x---x--- E|---x---x---

 

#3 Practice right hand thumb-finger coordination using existing fingerstyle tabs.

 

Rationale: By learning to play different fingerstyle arrangements using existing tabs, you will be able to achieve thumb-finger coordination that is often needed for the melody and accompaniment to be played simultaneously.

 

Example: Johann Pachelbel - Canon

 

Tablature:

 

#4 Accentuate the melody

 

The no. 1 mistake that amateurs (like myself!) make when playing fingerstyle is to play the melody and rhythm with the same accent.

 

Unlike the piano, the guitar has everything cramped into the treble clef. Hence, the key to fingerstyle playing at a higher level is to introduce voicing or a hierarchy of voices.

 

Melody sits on top loud and with presence; bass is strong and supports the melody and the middle accompaniment in a nice and soft hum.

 

#5 Experiment with alternate tunings

 

Being the conservative guitarist, I hate to stray away from standard tunings. Like suddenly the all familiar landscape becomes changed.

 

But increasingly, I realized that alternate tunings can allow some songs to be played more easily.

 

A common one that I use whenever I do fingerstyle in the key of G is to drop the tuning of the 5th string to G (Drop G tuning?).

 

In this tuning, the root G bass becomes an open string and the C note is translated to the 5th fret which often allows easy access to the higher frets on the treble strings.

 

Example: 张惠妹 - 身后